Fiction

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Solarpunk themed fiction. Books, short stories, movies, games... pretty much anything you can dream of!

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Solarpunk disaster? (solarpunkstories.substack.com)
submitted 1 week ago by [email protected] to c/[email protected]
 
 

Does the failure of Disney’s ‘solarpunk movie’ mean our genre is doomed to remain niche?

With its strong environmental message, diverse representation and multimillion-dollar budget, many thought Disney’s 2022 film Strange World would take solarpunk mainstream. That hope was short-lived.

This film did so poorly it is estimated to have lost Disney $197 million. This made it the worst performing film of 2022 and one of the biggest box office flops of all time.

Does this disastrous commercial performance mean that solarpunk will never reach a wider audience? Will it always be fringe? We explore the film and look at some of the explanations for why it did so badly to find out.

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In this near future anthology, Solarpunk explores the many ways individuals and resilient groups can fight gentrification, expropriation, abuse and loss of identity, starting within local communities, ultimately to embrace the whole world.

Solarpunk traces a path, rough and tortuous, towards a change now perceived by many as a necessity. “Nobody will give us the future” – seem to say these short stories edited by Future Fiction's Francesco Verso. Solarpunk brings stories without borders, from across the world: Argentina, Australia, Brazil, Canada, Czech Republic, Italy, Spain, the UK and USA. Authors are Jerri Jerreat, Ken Liu, Thomas Badlan, Ciro Faienza, Brenda Cooper, Renan Bernardo, Jennifer L. Rossman, Sarena Ulibarri, Gustavo Bondoni, Lucie Lukacovicova, Ingrid Garcia, Andrew Dana Hudson and D.K. Mok.

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Ysolt awakes after a freak storm to find herself at the bottom of a ravine in the broken remains of the nomadic home that was supposed to protect her.

Author: Premee Mohamed

Imagine 2200, Grist’s climate fiction initiative, celebrates stories that offer vivid, hope-filled, diverse visions of climate progress. 

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Elysium depicts a near-future Earth in which the majority of rich and privileged humans have migrated to an orbiting space station which gives the film its title. The city-state hogs the advanced medical resources of Earth, leaving the people on the planet below in a perpetual state of lawlessness and impoverishment. Matt Damon stars as Max Da Costa, a former criminal who, while doing dangerous work, is exposed to a lethal dose of radiation, giving him just five days to live. He soon obtains an exo-suit to augment his failing body. It’s then discovered that Max has data hidden in a chip in his brain that can, in theory, alter the computer systems running Elysium, which will benefit all the people who don’t live there.

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This week on Solarpunk Presents Podcast, Ariel chats with Selena Middleton, Publisher and Editor of Stelliform Press, all about publishing eco-fiction. What is eco-horror, and how does it relate to solarpunk fiction? What are the hallmarks of a good solarpunk story, according to Selena? How does history fit into visions of the future, and what does character have to do with it? Join us as we discuss all this and more.

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The twelfth installment of the Bikes in Space series, This is Your Bike on Plants features 12 stories from a splendid garden of potential futures, from the speculative to the surreal—all powered by bicycles, grounded in feminism, and blossoming with creativity.

You’ll find activist trees, magical flowers, feminist fairy tales, climate parables, photosynthesizing human-bicycle cyborgs, revolutionary elves, dazzling space gardens, green witchcraft, and more to delight your imagination.

Lovers of cli-fi, solarpunk, hopepunk, and feminist bicycle science fiction will all find something to read here.

Featuring stories by Kathryn Reilly, Marta Pelrine-Bacon, Cass Wilkinson Saldaña, Amanda McNeil, Ella P. Francis, Lisa Timpf, Bee Toothman, Kelley Tai, Jennifer Lee Rossman, J.D. Harlock, Kathryn Reese, and Joe Biel.

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Thirty-one years after its publication, Parable of the Sower continues to compel and unsettle many readers. Much of the book is harrowing. The violence begins just a few chapters in, when an elderly woman in Lauren’s walled-off urban village kills herself in the emotional aftermath of losing her entire family to a house fire just weeks after she was robbed and raped, and it refuses to relent for the next 300 pages. At least a dozen people have told me how they struggled to make it through the novel and its sequel, Parable of the Talents, because of the brutality that Lauren witnesses and endures (something I struggled to believe as someone obsessed with the books — even before Parable of the Sower became a New York Times bestseller for the first time in 2020).

But Parable is, at its core, hopeful. Over the course of the story, Lauren works to refine, systematize, and share the belief system she has developed, called “Earthseed,” which she presents through poems and verses collected alongside her journal entries. In Earthseed, “God is Change,” and the task of humanity and the faithful is to learn how to transform from God’s victim into God’s partner — to become one who shapes change.

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A solarpunk graphic novel adapted by Michele Paris and Lorenzo Livrieri, based on the short story by Nebula Award nominated author, Renan Bernardo.

Welcome to the post-fossil fuel city of Sundyal. Lush green, high-tech, and powered by clean energy, Sundyal seems like an idyllic place. But Janet really struggle's with Sundyal's lack of affordability. In fact, she can barely afford to eat. Meanwhile her best friend, an old and now obsolete model of android named Lyria, prepares to shutdown for the final time.

But is losing Lydia forever, in fact, the only way to save her? Janet wrestles with this and whether or not it's right and justified to objectify and sell her friend like some... disposable thing? Does it matter if doing so means she can afford to stay in Sundyal? And if the price of utopia is that high and inaccessible, is it really a utopia?

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Kim Stanley Robinson is regarded as one the greatest living writers of science fiction with more than 20 novels and many awards to his name. In this interview with Anna D’Alton (LSE Review of Books), he discusses the climate crisis, his political commitment to utopian fiction and art’s capacity for imagining alternative ways of living.

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Is Scavenger’s Reign solarpunk? (solarpunkstories.substack.com)
submitted 4 months ago by [email protected] to c/[email protected]
 
 

Scavenger’s Reign is about a handful of humans who have abandoned their spaceship, The Demeter, due to a solar storm. Their escape pods land on the utterly alien planet Vesta.

This world is teeming with an incredible array of lifeforms that boggle the mind. One of the crew manages to remote pilot the Demeter to land on Vesta and the disparate survivors head towards it. On their journeys they make their way through a cornucopia of brilliantly weird plant and animal life.

We think you should definitely watch this series on Neftlix as soon as you can to help the cause of solarpunk. This is even though we don’t think Scavneger’s Reign is really solarpunk itself.

We’ll explain why in the rest of this post. Be warned what follows contains spoilers, so we strongly recommend you watch Scavenger’s Reign first and then return to read the rest of this article. If you’ve already seen this amazing show then feel free to read on.

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A soothing solarpunk change to more bombastic sci-fi epics, After Yang is a meditative exploration of identity, life, and family in a near-future Earth.

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My Neighbour Totoro is a pretty foundational movie in the Studio Ghibli canon, beloved by generations - the mascot of the studio, even! - and admired by solarpunks. But what is it about this movie that is so inspiring? The visuals are beautiful, but what about the plot and conflict? Is there conflict? Compared to, say, the flashy plots of action films or even recent Disney animated features, can there be satisfying conflict in a story that doesn't seem to have much in the way of stakes? Or perhaps is this a different way of storytelling altogether? Ariel and Christina consider these questions and more in a discussion of My Neighbor Totoro.

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In this bonus chat, Ariel and Christina talk about the 1984 Studio Ghibli film - and solarpunk inspo par excellence - Nausicaä of the Valley of the Wind. Does the film live up to its significant reputation and deserve its cred? Is Nausicaä a solarpunk role model, or is this more of a princess-on-a-mission-style of legend? Tune in as we discuss this and more!

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cross-posted from: https://slrpnk.net/post/8178247

We're editing down the manual, and I'm sharing some backstory to the world that didn't make the cut in the manual. This is the kind of silly microfiction that players are encouraged to write and share. This particular piece I wrote because I was trying to imagine where gorillas would live in the US, and why, and how.

In writing the backstory for Ewan Reinhart, I decided that the Gulf Coast was probably the most ecologically sensible place to try to establish a population of gorillas, and then started imaging the circumstances under which the US would do so. Surprise: it's the military industrial complex working hand-in-hand with border control!

The Establishment of the Gulf Coast Gorilla Population

Starting in the 2030s, Northwestern State University in Louisiana began trying to create a stable population of gorillas within one of Louisiana’s wildlife preserves. Among the project goals were tests of whether uplifting would improve the ability of the gorillas to thrive and assist humans in optimizing their survival. Several years after transplanting heirloom gorillas from US zoos and administering enhancement programs, the US Department of Defense began piloting Project Primal Warrior: a project to test the feasibility and performance of gorilla shock troops. In 2042 the DOD invested heavily in the Louisiana Gorilla Sanctuary project with the goal of creating 1,000 gorilla infantry soldiers by 2050 and the goal to produce 10,000 u-gorilla soldiers by 2060. They continued to generously fund the Louisiana Gorilla project in order to support the project goal of producing a target population of 40,000 gorillas in the US by 2060 in order to support Project Primal Warrior.

Herman Ducharme was among the early cohorts to undergo Army training. In 2042, at the age of ten he began keeping a journal at the request of his handler. Concurrently, he began keeping a private diary in addition to one his handlers reviewed. It documents Herman’s exploration into unscreened literature at the fort library and conversations among the other gorillas about their situation. Ducharme’s secret diary would go on to establish a historical record of an emerging political consciousness among the early gulf coast gorilla troops. In 2048, the military began deploying army-trained gorillas along with Customs and Border Patrol agents. In 2049, the Bureau of Land Management began establishing gorilla habitats for mixed populations of maximally and minimally enhanced gorillas along most of the eastern third of the US-Mexico border. Though the pretext was for gorilla conservation, contemporary news coverage recognized the motivation to try and surveil and control the border.

By 2052 the Department of Homeland Security began the top secret project Simian Sentry. Under the program, DHS began incentivizing, manipulating, and pressuring the population of 8,000 gorillas living directly along the border to discourage crossing attempts through violence against humans who passed through their territory. Around the same time, residents of the southern Gorilla sanctuary became acquainted with members of the nascent parahuman rights movement through their contact with Veronica Sandoval’s production team, who were working on “Voices of the Unheard”.

In 2056, the brutal murder of a family camping in Louisiana brought national attention to the danger the gorillas living along the gulf coast posed. In the midst of the furor, a young gorilla investigator named Whisper Dubois and a human partner broke the story on the clandestine militarization of the southern Gorilla sanctuary by the DOD and CBP under Simian Sentry. The program was canceled following heated congressional hearings that took place amid a fierce public debate over the public perception of Gorillas. The DOD began phasing out Project Primal Warrior soon after. Attempts to evict 6,000 u-gorilla infantrymen from the barracks in which they’d lived since they were children led to riots among both gorillas and humans. The military eventually completed the move-out by offering a generous severance package and investments in gorilla infrastructure. Because of the gulf of trust between the Gulf Coast Gorillas and the US government, these monies were directed – on the gorillas’ insistence – to the Circle of Nations for management and disbursement. By 2060, the weakened US government had lost interest in managing the complicated situation they’d created along the gulf coast. To the gorillas’ delight, the federal government eagerly left matters to the states and the Circle of Nations as much as possible going forward.

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After reading "The Ministry..." for 3 painful years, I can finally share my review with you!

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cross-posted from: https://slrpnk.net/post/7767375

@[email protected] is teaching a seminar that looks very cool. I'm excited to hear what she's saying. Ticket start at $25, but are on a generous sliding scale.

I'm teaching a seminar for Clarion West on April 4th! Drawing on my experience as an anthology editor for World Weaver Press and a story reviewer for Imagine 2200, I'll go over some of the most common issues that I see in climate fiction slush piles.

#solarpunk #lunarpunk #ClimateFiction #ClimateWriters #ScienceFiction #SciFiWriters #ClarionWest #WritingClass #Imagine2200

https://clarionwest.app.neoncrm.com/np/clients/clarionwest/eventList.jsp

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We are excited to announce that we have signed an agreement with author BrightFlame to publish her debut novel, The Working, where a modern coven must thwart a looming eco-cataclysm and find the key to the bright future we all need.

BrightFlame writes, teaches, and makes magic towards a just, regenerative world. Her speculative fiction is featured in Solarpunk Magazine, Bioluminescent (Android Press), and Solarpunk Creatures (World Weaver Press). She is known for her teaching in the worldwide pagan community and co-founded the Center for Sustainable Futures at Columbia University that features her workshops and nonfiction.

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When there's a new RPG on the block claiming to do #Solarpunk, I'm obviously interested. Recently, @FullyAutomatedRPG made its way to me via @fiction so I'm giving it a look. What does it want to do? It wants to be a kind of D&D for Solarpunk – a big kitchen sink game that becomes a cornerstone for the genre. That's… Hm, I like my RPGs written with a lightning focus on telling specific stories, so I feel like I'll be biased against #FullyAutomated, but let's see. 1/8

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Fully Automated! is a free open-source tabletop roleplaying game set in a wild solarpunk future! And we’ve got some exciting additions since our last update in December.

First, there's the incredible cover art by Sean Bodley!

Next, there’s new interior art by Jacob Coffin, along with pages and pages of new content by our amazing open-source community of developers.

While there’s still lots of editing to do, the current text of the game manual and of the first campaign of adventures represent a pretty close approximation to what you’ll find in the final version. You can find both (for free) on our website at fullyautomatedrpg.com!

That’s the other thing: in addition to our Discord server, we now have a website, a Mastodon account (@[email protected]) and a Lemmy community (SLRPNK.net/c/fullyautomatedrpg). Follow us or join our mailing list for updates as we approach the release of the official first edition of the game. And if you want to contribute art or ideas, our developer group is always grateful for new contributors!


See more of Sean Bodley’s work at seanbodley.com, and Jacob Coffin’s work at jacobcoffinwrites.wordpress.com.
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