Postcore

This New York group's third EP once again showcases them as an overwhelming rowdy force to be reckoned with, made up of equally smart and furious postcore with some surface-level similarities to groups such as Mystic Inane, Wymyns Prysyn, Launcher, Cement Shoes or Liquid Assets. New to me from this group is some pronounced melodic vibe á la Drive Like Jehu-goes-Leatherface in the title track… surprisingly, this too works flawlessly!

Contempt releases May 14th via Iron Lung Records & One Little Independent Records.

It took the Sydney group like a half decade to come up with their third EP but here it finally is in all its glory and spectacle. Their very own fusion of noise rock, hard- and postcore has retained every bit of their frantic energy while mixing shit up just enough to keep things interesting, for example in Shame Bomb, in which they conjure up a previously unheard sense of melancholy. Other times, their speeds and levels of devastation are reaching the explosive force of their debut EP in songs such as Level Skipper and Prick in the Franger, after the slightly more forgiving previous Safe Word EP, while tracks like Night Shift Blues once again supercharge all the grime and dirt of oldschool Amphetamine Repile-style riffing with a relentless hardcore attack.

cross-posted from: https://lemmy.world/post/12435795

The second EP by this San Francisco group, coming to us by way of the weirdo suits at the headquarters of Discontinuous Innovation Inc., marks a quite impressive step up in energy, sophistication, elegance and stylistic variety after their already perfectly enjoyable debut cassingle in 2020. In the year 2024, their quirky and chaotic mix of postcore, post- and art punk with just a smidge of garage punk thrown in for good measure is still gonna evoke universally favorable comparisons to quirky noisemakers in the vein of Rolex, Patti, Reality Group, Big Bopper, Warm Bodies, Uranium Club and Brandy.

I Hate You Don't Leave Me releases February 28th via Toxic State Records.

Dangerous Day To Be A Cold One releases March 1st via Flying Nun Records.

cross-posted from: https://lemmy.world/post/9101688

California group Lamictal follow up last year's insane pair of EPs with another strong tape, their overall vision coming across a little more focused on here which might in part be a result of ever-so-slightly increased production values… although polished would certainly be the wrong word here as their curious mixture of garage punk, hard-, post- and weirdcore is still filthy as fuck, upredictable and hyperactive, overwhelming the senses for just under four minutes before getting the fuck out as quickly as they turned up. Mandatory shit for friends of, say, Big Bopper, Rolex or early Patti.

cross-posted from: https://lemmy.world/post/9100979

Faith Healer / Absolute Future releases January 26th via DC/DC & The Ghost Is Clear Records.

This Portland Group's third full length further refines their explosive formula of seriously noise- and slightly garage-infused postcore into their most realized and elaborate effort do date, their hyperactive vision of structured chaos constantly shapeshifting and throwing curveballs all the way, leading into all kinds of interesting maneuvers. Although no two songs are too much alike on here, the most frequently applicable comparisons i can come up with are groups such as the various incarnations of New York's Kaleodoscope, early Bad Breeeding, Acrylics and, in some parts, Crisis Man, early Video and Ascot Stabber.

cross-posted from: https://lemmy.world/post/8012413

One Day You’ll See The Sun releases December 1st via Familiar Face Records.

geteilt von: https://lemmy.world/post/8007417

Last year's demo by this London group has been a thoroughly pleasant occurence already and their newest EP even packs considerably more of that same kind of punch, their mix of noise-heavy postcore and garage-leaning fuzz punk at times coming across like a variant of Hot Snakes or Obits with more of a melancholic undercurrent which also kinda reminds me a lot of Wymyns Prysyn, with further credible comparisons to be made to acts such as Ascot Stabber, Crisis Man, Zero Bars, Beast Fiend and Mystic Inane.

The Auger releases November 24th via Hex Records.

A strong demo by this Toronto group has four delicious no-frills bangers in store for us located roughly on the intersection of garage punk and postcore, having some Hot Snakes energy to them and a similar vibe to the early works of Video and Teenanger in addition to straightforward punk acts such as Ascot Stabber, Flowers Of Evil, Piss Test as well as a more eccentric breed of garage-meets-hardcore acts á la Launcher and Mystic Inane. Music to my ears!

cross-posted from: https://lemmy.world/post/6103438

Under Two Flags releases October 27th via One Little Independent Records.

Exciting shit in the realm of noise rock, postcore and garage punk on this Tokyo group's newest EP showcasing quite a bit of stylistic variety. Proto-Being crashes right out of the gate like a mix of Multicult, Tar and Drive like Jehu. Slug then exhibits a more catchy, melodic sensibility akin to, say, Bitch Magnet, Polvo or Chavez. Evidence has some acid-drenched proto punk vibe to it like MX-80 colliding with early The Men plus a hint of Wipers and last but not least, Disconnect radiates some distinct Hot Snakes-meeet-Nation Of Ulysses kind of energy.

cross-posted from: https://lemmy.world/post/4792486

Hand Is Bad releases September 29th via Amish Records.

cross-posted from: https://lemmy.world/post/3478901

A brilliant new release brought to us by Gimmie Records, the record label extension of the fabulous Gimme Gimmie Gimmie blog-/zine empire. Piss Shivers are a Brisbane duo whose debut LP kicks up a highly flammable fuss located vaguely inside the Garage-, Post Punk and Postcore coordinates, sometimes reminding me of a Crisis Man-meet-Hot Snakes hybrid while at other points you might be reminded of early Teenanger, the pitch-black postcore dystopias of Video, VHS or the furious anger of Wymyns Prysyn. Further i'm recalling the likes of Xetas, Gaffer, Ascot Stabber and Batpiss… maybe a bit of Zhoop/Djinn/Feed energy aswell in its more primitive, straightforward moments.

A beautifully overwhelming mud shower of noise-infested Postcore, the debut EP of this Minneapolis group clearly inheriting some of the DNA of the city's own Noise Rock-related history while feeling perfectly contemporary all the same, mainly reminding me of recent bands á la Dollhouse, Launcher, Mystic Inane, Wymyns Prysyn and Optic Nerve… with a touch of Hot Snakes thrown in for good measure.