this post was submitted on 17 Aug 2023
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It's concerning that astroturfed or not, two conservative/fash songs in quick succession seem (emphasis on the seem) to have had a way bigger impact outside of its usual base than any left wing music on the same people in the past 5 years. We can talk about how the working class of the imperial core can at best only be social chauvinist, and most of the time actively fash to justify it, and how the US is an actively fascist culture, but the observable effect is that two country songs with an openly bigoted and hateful message got big in the past month or two, and that requires some self-crit and reflection on what the left is doing in terms of mass art for the working class.