mraow_

joined 8 months ago
[–] [email protected] 2 points 5 months ago

Maybe it wasn't designed to be a purely technical review, then?

[–] [email protected] 10 points 5 months ago (2 children)

If someone using Brave gives him money and that money goes in to a homophobic lobby it would be better for consumers to know that so they can actually consent to that. Consumers deserve to make informed decisions about who to or who not to support.

[–] [email protected] 1 points 5 months ago

I don't slay queens, I serve them

[–] [email protected] 15 points 5 months ago (2 children)

I'm sorry, I'm on the fence. I'm all onboard calling "rizz" and "skibidi" cringe, but I'm never going to stop slaying or serving.

[–] [email protected] 10 points 6 months ago

mraaaow :33

[–] [email protected] 1 points 6 months ago

I've seen it above that level, again because of the USB port. Definitely not arena sized, but definitely large venue sized.

[–] [email protected] 1 points 6 months ago (2 children)

Yeah, there's a Behringer desk that is ubiquitous...

[–] [email protected] 1 points 6 months ago (4 children)

You're correct but in my experience everything I've used at a venue is analog, running almost entirely off of the mixing desk, without an external computer running Win/Mac/Linux. And half of these consoles I've used had a USB port which was used for, among other things, storing templates. This allowed for our front-of-house mix engineers and monitor mix engineers to cruise along because most of the work was done at home or in other venues. The software for writing those was Windows/Mac at the least, I don't know if any used Linux and I'm not sure if they were "human-readable" text formats.

At that price point I'm not so motivated to work on something FOSS, I care more for working with the hand-to-mouth musicians than the large institutions.

[–] [email protected] 2 points 6 months ago

Decent Sampler (and the attached Pianobook community) fits my needs perfectly well, with the exception that it's not FOSS.

[–] [email protected] 1 points 6 months ago (2 children)

This is about FOSS and I can't see that Audiotool is FOSS, and Samplers are not Sample Libraries. Sample Libraries are ubiquitous among producers who want a good sounding recreation of a real instrument but cannot afford (or morally support), for example, Pianoteq's modelling algorithms or Spitfire's premium libraries, neither of which are FOSS, or the instrument itself or a session player.

As I said, the most promising multi-sampler or sample library software with an active community was Decent Sampler, which isn't open-source and now supports DRM.

[–] [email protected] 1 points 6 months ago (6 children)

What do you mean the "live production stuff" exactly?

[–] [email protected] 2 points 6 months ago

Again, depending on your needs perhaps Logseq is fine. It seems that developers of each app (Logseq and Obsidian namely) have this expectation of how users want to use their apps but in my experience they are both configurable to use Tags, Folders or Links to organise content. This lets you take notes and organise in several ways.

Logseq is FOSS, Obsidian is not and is more popular (thus larger community plugins/themes ecosystem). That's the main difference.

I would love for someone to walk me around what SN can do and walk someone around what Obsidian can do.

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