jazzbox

joined 1 year ago
 

I'm a beginner DM running Lost Mines of Phandelver for a group of 4 newbies, and they have a party "familiar" who is really just one of those goober characters that the party thought was funny and convinced them to join.

His name is Goblin Jr, appropriately named that because he's about half of the average height of a goblin. He poofed into existence as a joke to be a referee in a wrestling match against Klarg, the bugbear from Chapter 1 of LMOP.

The party had to leave him in Phandalin when going to Cragmaw Castle, and didn't have time to pass through the town again on their way to Wave Echo Cave so he is still there. Sildar and Gundren departed at the beginning of the dungeon (to make my life easier), and the party requested Sildar to convince Goblin Jr to make a journey from Phandalin to Wave Echo Cave and reunite with the party. I thought this would be a great idea for a one-shot, and it would help my players explore other classes/characters since most have only ever played their current one.

I was hoping for some general advice for designing and DMing one-shots, and was hoping we could brainstorm some ideas. Alternatively pointing me in the direction of any resources for this would be helpful too!

I'm also wondering if a certain party member should play Goblin Jr? I feel like they should have their own unique characters, but then I don't really know what to do with him. Him being a DMPC makes the most sense but I like to avoid those if there are better alternatives.

Any ideas?

[–] [email protected] 4 points 1 year ago (1 children)

Anyone care to ELI5 this for me? This seems like a big deal but I have no idea what it means lol.

[–] [email protected] 3 points 1 year ago (2 children)

Hmm. Any insights as to why this is different than a franchise tag? This feels a bit underwhelming

 

Me and my buddy are trying to put a set-list together with the theme mentioned in the title.

"Unassuming places" is intentionally a little vague, but the idea is that feeling of "damn, I did not expect a song from this [insert piece of media] to be that good," or when you sit down and really listen to something you are surprised at well-composed it is, or songs that sound simple and reach a wide audience, but are actually a lot more complicated under the hood.

Some examples of the sounds we're going for are:

You might also be able to call this list "songs geared towards children but are actually good" but I feel like that has more of a nursery rhyme-ish connotation and I'm hoping to branch out of that.

We're a guitar duo with a jazz background, so songs that could potentially fit that mold are preferred, but I don't want that to hinder anyone from giving suggestions! I'd love to see what anyone can come up with.

 

Me and my buddy are trying to put a set-list together with the theme mentioned in the title.

"Unassuming places" is intentionally a little vague, but the idea is that feeling of "damn, I did not expect a song from this [insert piece of media] to be that good," or when you sit down and really listen to something you are surprised at well-composed it is, or songs that sound simple and reach a wide audience, but are actually a lot more complicated under the hood.

Some examples of the sounds we're going for are:

You might also be able to call this list "songs geared towards children but are actually good" but I feel like that has more of a nursery rhyme-ish connotation and I'm hoping to branch out of that.

We're a guitar duo with a jazz background, so songs that could potentially fit that mold are preferred, but I don't want that to hinder anyone from giving suggestions! I'd love to see what anyone can come up with.

 

Me and my buddy are trying to put a set-list together with the theme mentioned in the title.

"Unassuming places" is intentionally a little vague, but the idea is that feeling of "damn, I did not expect a song from this [insert piece of media] to be that good," or when you sit down and really listen to something you are surprised at well-composed it is, or songs that sound simple and reach a wide audience, but are actually a lot more complicated under the hood.

Some examples of the sounds we're going for are:

You might also be able to call this list "songs geared towards children but are actually good" but I feel like that has more of a nursery rhyme-ish connotation and I'm hoping to branch out of that.

We're a guitar duo with a jazz background, so songs that could potentially fit that mold are preferred, but I don't want that to hinder anyone from giving suggestions! I'd love to see what anyone can come up with.

[–] [email protected] 6 points 1 year ago (1 children)

I don't listen to those bands much so I can't give you specific answers, but I'll try to give some general advice -

The slow but steady way is to learn as much music in that genre as possible. Eventually you'll start to naturally sound like what you're learning/playing. If you're goal oriented, do your best to learn an entire album inside and out. Be able to play the entire thing by heart. The real goal here though is the journey, not the destination. When it's not fun anymore, quit and move on to a different one. Maybe come back to it later.

If you want to accelerate the learning process, transcription and analysis will take you a long way. For example, what are the chords? How are they voicing them? How do they change and move from one another? What is the key? Are all the chords actually in the key? How is the melody structured? Is it busy or sparse? Outlining chord tones? What is the tone/timbre of the guitar? Of the other instruments? Of the song as a whole? How does that affect the song? Would the feeling of the song change with they changed? What is the rhythm of the guitar/melody/drums/bass. What is the instrumentation? The tempo? The arrangement? What emotion does this song make you feel like and why? What is the songs identity? For most of these questions, if not all of then, there are no wrong answers. Right answers only require a good faith argument and evidence to back it up.

When you've found answers to some of those questions for a handful of songs, what are the similarities and differences? How significant are they and how do they affect the song?

With all that being said, remember -

  • This is not a quick process at all
  • No matter how hard you try your songs will sound different. That's not only completely fine and expected, but its encouraged! Take ideas from your fav songs and mash them up. Do random shit on top of it. Experiment! Be different!
  • Again, not a quick process at all
  • These things should be fun, and don't do them if it feels like a chore. Music is fun! That's why we play! Don't lose sight of that with some arbitrary goal like this in mind.

I know that's a bunch of word vomit so if you'd like me to expand on any of this I'd be happy to.

TLDR; learn more songs and try to articulate why you like them :)

[–] [email protected] 6 points 1 year ago

Same, except I’ll clip my keys onto my belt loop like a janitor lol. Keeping them in my pocket with my wallet gets too bulky and they feel safer clipped in.

[–] [email protected] 2 points 1 year ago

This is pretty anecdotal but I’m pretty sure they’re relying on Anti-Cheat only temporarily, just cause of the huge influx of users in such a short time period. Feel free to correct me tho

[–] [email protected] 8 points 1 year ago

Like others have said, it’s influenced heavily by both Battlefield and Squad and I think it’s the best of both worlds.

I love that, in Squad, you need to be so tactical and team oriented and communicative; but it can get overwhelming if you just want to relax and/or have no military experience. Battlefield is fun if you want to shut your brain off; but nobody really works together, sometimes for the worse. I think Battlebit scratches both of those itches really well.

Plus the art style makes it so even with 254 players all in one server it still runs smoothly on my midrange-for-2018 rig lol

[–] [email protected] 2 points 1 year ago

I’ve been trying out Wefwef today and, while I agree it’s amazing, I’m hoping that it eventually develop its own character. I’m very slightly worried a Apollo-clone will discourage Christian from making his own Fediverse/Lemmy app… but primarily it just makes me miss Apollo more :(

That said, I’m super excited for its future

[–] [email protected] 7 points 1 year ago (1 children)

Yeah I’m using it as I type this and it is incredibly similar, almost eerily. I’m kind of hoping the developer gives it it’s own unique character and soul in the future. Or since it’s open source (I’m pretty sure?) someone else can.

But with that being said I still strongly recommend so far

[–] [email protected] 1 points 1 year ago

Perhaps. To paraphrase, I hear your position as “I don’t like what they’re saying. Exile them.” Is that accurate?

That is my solution, but I think the communication issue may lie in the intent. I want forum sites such as Lemmy or Kbin to encourage dialogue from a diverse user base, and I think that allowing fascist and bigoted rhetoric inhibits that goal. Those kinds of people have proven that they almost never discuss in good faith, and I think they will push away individuals who are looking for a space to have good faith discussions. You may have heard of the paradox of tolerance. If you haven't, I'd encourage you to read about it. I’d like to hear what you think.

Also, I know that you were paraphrasing, but I want to be completely clear that this is not because “I don’t like what they’re saying.” Obviously, I think it is healthy to encounter differing opinions. But I believe the rhetoric I’m talking about is more than mere “differing opinions” … it is hurtful, dangerous, and attempts to both justify and normalize discrimination. All while providing no value whatsoever.

Extremism of all stripes is dangerous. If you don’t like what someone is saying, be a grown up and ignore them.

You and I might be able to parse through the dogshit on the internet, but there are people who can’t. I think there is an obligation to keep alt-right propaganda out of the same space that an impressionable teenager would use to talk about Minecraft. Especially now, there have been far too many kids radicalized in that way. It’s far too easy to weaponize someone’s hatred and insecurities.

"I disapprove of what you say, but I will defend to the death your right to say it.” – Evelyn Beatrice Hall

If you broaden the scope, I wholeheartedly agree. But websites are not countries, moderators are not governments, and content policies are not laws. To be banned from a website does not deprive one of their rights. I really don’t think you need to compromise your morals to have a space, or participate in a space, that has no toleratence bigotry and discrimination. Plus, there are already established limits to free speech that attempt to keep peace and order, like the “you can’t yell fire in a crowded theater” clause. I don't see my desires here as much different than that.

[–] [email protected] 1 points 1 year ago (2 children)

Since you clearly don’t, and seemingly don’t want to, understand the fediverse or free speech, why not just go back to Reddit where you can be happier?

Okay let's deescalate a bit... One can enjoy something and still criticize it. I did not think expressing a worry about the spread of fascist ideology and hate-speech would invite backlash. Can you seriously not relate to that? There has got to be some kind of miscommunication going on here.

Censorship has never and will never prevent ideas from existing, being discussed, and spreading. It doesn’t even slow them down. It just drives them into spaces where you can’t see.

Yes, I want to drive Nazis and bigots into spaces where they are hard to find. They degenerate whatever space they're allowed in. I'm not naive enough to think this will extinguish them, and I wasn't trying to even imply that, but the alternative is to do what - just give them a platform to spew hatred? Do you have a solution? Or are you just going to spit out baseless accusations and tell people to leave if they're not complacent with hate-speech in a space they enjoy?

I'm down to have a discussion but show some kindness.

[–] [email protected] 0 points 1 year ago (4 children)

Definitely, and that is one of my main fears/critiques of this whole fediverse thing. Ideally there will be a system in place to help mitigate that, if there isn't already. Defederating is also effective.

I guess my point is that any instance (or website in general) that was not started with the inherent goal of being a fascist echo chamber should be completely intolerant of fascist/bigoted ideas. Especially the big ones, like lemmy.world and Kbin. And they should do everything within their power to not let those ideas exist. The paradox of tolerance and all that.

Some people are too far gone and will just run away into the shadows, sure. I'm more concerned about the "regular" people who are exposed to those ideas against their own will and get sucked into this cycle of hatred.

[–] [email protected] 1 points 1 year ago (7 children)

Allowing fascist/bigoted echo chambers to exist at all just facilitates more hate being brought into the world. Obviously one can only do so much, but I think there is some sort of obligation there for both an individual and a community to stop the spread of hate.

 

I want to explore and learn more about snare tones, and was curious to hear some favs around here.

Bonus points for describing how to get that sound :) I'm a recording engineer and would like to experiment with any ideas people have!

For me personally I love the super tight and muffled sound of JD Beck's snares, like in this video. Seems like he usually tunes it super high and mutes it with random objects. Putting things like splashes to mute the sound AND have another percussive voice is really smart too.

I'm also a sucker for super open and crunchy snares, like the one in the beginning of black enuff by redveil. Tuned a little high(?) but letting it ring and compressing it until it distorts. It's just so ANGRY

 

I've been a musician for quite a while but finally bought myself a drum kit.

As a guitarist I know not all practice is good practice, or at least productive practice. For example, practicing scales up and down the neck will help learn those scales... but can make soloing sound super robotic.

Was hoping to get some advice for being productive while practicing rudiments, but any other practice advice is welcome too :)

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